![]() ![]() Initially, he attempted to use various physical media to mimic a more traditional style, including gouache. Stålenhag uses a Wacom tablet and computer to illustrate his work, which is designed to resemble oil painting. He also did some promotional artwork for the sci-fi video game No Man's Sky. ![]() In 2016, he followed this with pictures of hypothetical results of a rising ocean under climate change for Stockholm University's Resilience Centre. Outside of his usual canon, Stålenhag also drew 28 pictures of dinosaurs for the Swedish Museum of Natural History's prehistoric exhibits after he rediscovered his childhood interest in the creatures, and contacted the museum to see if he could do anything. ever since the early 20th century, attitudes and budgets were much more in favour of science and technology." In a 2013 interview with The Verge, Stålenhag said, "The only difference in the world of my art and our world is that. In parallel with the real-life decline of the Swedish welfare state, large machines slowly fail, and the eventual result of this remains a mystery. These ideas result in a body of work that can feature giant robots and megastructures alongside regular Swedish items like Volvo and Saab cars.Īs his work has evolved, Stålenhag has created a backstory for it, focused around a governmental underground facility. According to Stålenhag, this focus originates from his perceived lack of connection with adulthood, with the science fiction elements being added in part to draw audience attention and partly to influence the work's mood. Thematically, his work often combines his childhood with themes from sci-fi movies, resulting in a stereotypical Swedish landscape with a neofuturistic bent. Stålenhag experimented with science fiction artwork after discovering concept artists such as Ralph McQuarrie and Syd Mead initially, this body of work was done as a side project, without any planning behind it. He was inspired by different artists, including Lars Jonsson. Stålenhag grew up in a rural environment near Stockholm, and began illustrating local landscapes at a young age. The settings of his artwork have formed the basis for the 2020 Amazon television drama series Tales from the Loop. Voice actors in the film include Brian Cox ( Succession), Jenny Slate ( Marcel the Shell with Shoes On), Anthony Mackie ( The Falcon and the Winter Soldier), and Academy Award winner Billy Bob Thornton ( Sling Blade).Simon Stålenhag (born 20 January 1984) is a Swedish artist, musician, and designer specialising in retro-futuristic digital images focused on nostalgic Swedish countryside alternate history environments. Other cast members include Academy Award winner Ke Huy Quan ( Everything Everywhere All at Once), Academy Award nominee Stanley Tucci ( The Lovely Bones), Jason Alexander ( Seinfeld), Woody Norman ( C'mon C'mon), and Martin Klebba ( Pirates of the Caribbean: The Curse of the Black Pearl). Chris Pratt, who previously worked with the Russo Brothers on Avengers: Infinity War and Avengers: Endgame will star as Keats, a drifter that Michelle meets on her travels. Millie Bobby Brown, who has starred in a handful of other Netflix properties including Stranger Things and the Enola Holmes films, is set to play Michelle, the protagonist of the film. Much like they did with The Gray Man, the Russos have assembled another A-list cast for their latest film. While not much has been released about the film to date it’s safe to assume that if the Russos are at the helm the film won’t be lacking in action. Back in June 2022, it was announced that Netflix would be bringing The Electric State to the screen with Joe and Anthony Russo directing. If the film can conjure the same retro-futuristic aesthetic from the source material, it will create a dystopian setting that hasn’t really been brought to the screen before. The book won critical and fan praise for the compelling story and for the illustrations and was even named one of the best books of the year by NPR. The Electric State is an upcoming film based on the 2018 graphic novel by author Simon Stålenhag.
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